![]() ![]() From then on, Tony’s composing career blossomed. Having built up a body of compositions during the 1950s, Tony had his First Piano Sonata selected for the 1962 ISCM festival the piece was premiered that year by Margaret Kitchin at the Cheltenham festival, and led to a publishing contract with Schott’s. In 1956, aged 22, he began studying music at Morley College, London, working with Anthony Milner and then Alexander Goehr, beginning a long friendship with the latter. He had manifested an unusually acute ear since earliest childhood, but though his family were musical, it was only as an adult that he turned decisively towards music and composing. He went to Gunnersbury grammar school and from there, having proved a gifted linguist, to study at the Institut Français in London. Tony was born in Southfields, south-west London, to Vera (nee Henderson) a children’s nurse, and Joseph, who worked in a print manufactory. His somewhat intransigent nature did not endear him to the “musical establishment” but he was cherished and admired by all who knew him well. He was passionate about making space for music that was at once intellectually challenging and emotionally enriching.įrom his early days as promotion manager at Schott’s he went on to serve on committees for the International Society for Contemporary Music, the ICA, the Society for the Promotion of New Music and North West Arts. Many of his students have, in their turn, become well known, including the composers Simon Holt and Martin Butler, and the composition teacher Alison Cox.Īll his life, Tony championed new music. He also taught, in the 1980s, at what is now the Sydney Conservatorium of Music. He continued to support RNCM composition students until a few weeks before his death. Its current international reputation owes much to the foundations he laid. In 1973 he initiated the composition department of the Royal Northern College of Music in Manchester and remained its director until retirement in 1999. He was esteemed not only as a composer but as an inspiring teacher. Joseph E.Tony was a key figure in British new music.Dave arrives in Durango and implicates Farley. Knowing that Farley and his men intend to holdup the stage, Bill and his pals intervene and deliver the mail to its proper destination. Nancy fires Bill and intends to drive the stage herself to save the mail contract. ![]() Farley discovers Bill's true identity and tells Nancy that Bill is an Underwood spy. ![]() Farley attempts to plant stolen mail with Bill, but Bill and his pals thwart the plan. Kellogg and his daughter, Nancy.īill assumes the surname "Dawson" and hires out as a driver for the Kelloggs. Bill discovers Farley has been corrupting the stage drivers working for Mr. Dave's lawyer, Steve Farley, has been double crossing Dave in the negotiations for the stage line by misrepresenting the offer. En route to the town of Durango, Bill and his pals, Smokey Ryan and Whopper Hatch, prevent a holdup of the Kellogg Stage Line, which Dave has been trying to purchase. In the Old West, Bill Underwood falls out with his father, Dave Underwood, and chooses the life of a cowhand rather than take charge of his father's stage line. It was the first of many films Holt made with Selander. Thundering Hoofs is a 1942 American Western film directed by Lesley Selander and starring Tim Holt. ![]()
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